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reveriance2018-05-18 06:46 pm
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TEST DRIVE #002

TEST DRIVE #002
( 0 0 1 ) » WAKE UP
Were you asleep or were you unconscious? It doesn't matter: when you come to, there's an odd taste in your mouth and there's a low-level mechanical hum in the air. Your head hurts and you feel nauseous. You aren't anywhere you know: everything around you is metal, from the floor you lie on all the way to the ceiling. You are dressed in a jumpsuit you definitely weren't wearing before.
"We tried to save the world. I think— I think we did the opposite."
The message repeats on a loop. If you look for its source, you find a comms device on the floor next to you. The logo on its wallpaper says REVERIE TERMINAL. Upon closer inspection, you find the same logo on your jumpsuit.
Welcome to your new home. What choice do you have but to explore your surroundings?
( 0 0 1 . 1 ) » WAKE UP WHERE?When you wake up, you find that you're not alone. But more importantly, you find that you're in a closet. An empty closet, bar you and your new companion. It's small, cramped, and there is no door that you can see. The ceiling is low, there is barely any lights, only some coming from the tiny flashlight clipped to your suit's shoulder. You cannot be sure that there is any air coming in to the room.
Are these grooves in the wall supposed to mean something?

( 0 0 2 ) » OBSERVATION DECK
There were no windows in the corridor you woke up in and no windows in any of the crew quarters you might have checked for occupants — but there are plenty of windows on the uppermost level of the station, deck 1. In fact, there are windows from floor to ceiling all along the circumference of the station's circular deck, and it's possible to walk along it all. What it shows is a strange solar system you've never seen before and a planet that might resemble one you know, but certainly isn't the same.
You're in space. You don't know where you are. Neither does anyone else.

( 0 0 3 ) » BAR
On deck 3, you find the bar. Tucked away from the crew quarters, it's dimly lit, there are bar stools thrown down on the floor and what looks like some very old drink spills, crusty and dark against the bar top. But there is alcohol here, or at least, what you think is alcohol, in bottles with faded labels, most of them indecipherable. Take a drink, get drunk, start a fight, or start a party? You're stuck on this station, might as well make the most of it, right?

( 0 0 4 ) » SPACEQUAKES
One second, you are is walking. Magnetic boots are on, the ground feels solid enough, for a metal deck in a space station. Everything is perfectly fine, or at least as fine as it can be, given that you still don't know where you are or how you came to be here.
The next moment, it's like everything explodes around you. You're thrown against the wall as sparks erupts from electrical panels, as the whole station rumbles and shakes around you. You fall to the deck, earning yourself scratches from the grating. When you look up, it's like nothing has happened. No wires hanging from open panels, no flickering lights, no more shaking. Like an earthquake in space.

( 0 0 5 ) » NETWORK
The comms device you found next to you when waking up connects to a station-wide network, REVERIE NET. You have the option to post video, voice or text messages.
What will you share?

( 0 0 6 ) » WILDCARD
The station features a variety of locations, from sleeping quarters free for the claiming to a dirty swimming pool and a bar that still holds alcohol (though some of the bottles seem to have been opened a while ago).
Go wild, but don't wreck the place. It's your home for the foreseeable future, after all.
ᴊʏɴ ᴇʀꜱᴏ | ᴀ ꜱᴛᴀʀ ᴡᴀʀ
002.𝓬𝓱𝓪𝓹𝓮𝓵
003.𝓶𝓮𝓼𝓼 𝓱𝓪𝓵𝓵
004.𝓷𝓮𝓽𝔀𝓸𝓻𝓴
005.𝔀𝓲𝓵𝓭𝓬𝓪𝓻𝓭
003
he's woken up to the same thing for over a week now and it's starting to slightly grate on his nerves. he's never been one to be still, to sit and contemplate life but it's not always easy to find something to do that isn't 'wishing upon a star' or 'wishing upon the big guy with the good ass to kick a door down that magically reveals a ship'.
simply: jim's bored.
so, he's almost grateful for the words thrown at him while he picks at some food that's barely edible. ]
Anyone ever tell you that you sound like a motivational poster?
[ he can just see her face plastered on posters advertising the federation back home. icy determined eyes and grim set of her mouth. he'd have joined up immediately. ]
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I think there are still a few floating around Yavin 4, to be completely honest with you.
[ without waiting to be invited, she slides into the seat across from him and bores holes into his eyeballs with her own. ]
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You know, usually a woman stares at me like that, I've got something on my face or she's going to kill me. Can you let me know if it's that last one so I can make peace and say my goodbyes before it all ends?
[ he's learned not to judge a book by its cover so he fully expects her to be able to take him out if it's something she chooses. ]
I've never been to Yavin 4. Is it nice? Good vacation spot? How's the tourist action?
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I'll consider warning you.
[ she does look slight, maybe even almost frail. but there's a might emanating from her eyes; a ferociousness, and in her posture. she knows her place is leadership. her confidence doesn't falter. ]
It was my team's base of operations... A well-kept secret. No one who's there ends up so by accident.
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[ his smile is easy, practiced and though he can be flippant and dismissive, that's not what he's doing now. she's something he doesn't know and jim kirk does love unfamiliar things.
it's exactly what he'd taken the five year mission. seeing the same walls, the same streets, and the same people just reminded him that he wasn't going anywhere.
and while he hates being stuck on this station, at least he's here with new mysteries gift wrapped in such pretty packages.
such as this person in front of him. ]
Well, that's quite the feat of subterfuge. You're lucky some idiot who's just trying to take a leak didn't stumble upon it.
[ had something like that happened to jim? he'll never tell. ]
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fite fite fite
oh, bring it oooon
all or nothin bish
Re: all or nothin bish
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still me obviously
Re: still me obviously
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001
he stops there, in front of the window, anyways. hands shoved in the pocket of his jumpsuit. from behind, he can't see her face, but when she speaks, Bodhi feels the hair on his arm prickle. it's... familiar.
when she turns, he's looking the very face of the person he'd thought it sounded like. he steps back, staring at her in surprise. ]
... Jyn?
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Are you real? [ her eyes fill with tears. did this mean they succeeded? she pulls back altogether just as quickly, clearing her throat and wiping at her eyes. she's not entirely acting herself, maybe. it's a good excuse, so she tacks on with a bit of humor only her own team would be able to pluck from her usual monotonous tone: ] Am I real?
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against him, she's warm, and solid and obviously alive. not a figment of this place, but alive. finally, with this knowledge, he brings his own arms up to return the embrace. there's so much to tell her. what he's learned, since his arrival (alright, it's admittedly not much, but important, none the less). swallowing past the lump in his throat, he nods and manages a response.
there was a time where he'd thought maybe, this was not. that he was still rotting away in the cells, or -- ]
Yes. It's all real.
I'd started to think that maybe -- nobody else would show.
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You make it sound like you've been here a while. [ he doesn't sound like he's joking. then again, neither of them were big on jokes. ] But I only just saw you.
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I know this is going to sound... impossible. And I don't know how it works, but I have been here a while. More than a few weeks.
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/end scene
2
Honestly Kamala might be more frustrated if when she did finish there wasn't someone here actually distressed and not just being anti-social around her. Her gaze lingers as she tries to come up with something wise or profound to say. She comes up short. She's not really cut out to be the wise chapel person, huh?] Sorry for staring. You just look really overwhelmed. I guess I got a little worried.
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I'm the last person you need to be worrying about.
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I wasn't trying to look scary.
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1
Suppose she can't blame the daleks for wanting to keep hold of a total screaming genius like herself.]
Starship Alaska, last I checked.
[Which is a slight lie. The last time she was alive she was on the Starship Alaska. She's not about to admit she had been on an asylum planet after that. Especially not since she last remembers surviving in the cockpit of the crashed ship.]
Thing is, I'm just the junior entertainment manager. I don't have direct access to the nav comms, but if we can find a terminal lazing about I might be able to pull up a location.
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Starship... Alaska. [ she's never heard of an operation like that - she'd never even heard of people naming a ship like that at all. ] Sounds made up.
[ it's flat as she finally pushes through the pain to make proper eye contact. it's like being asleep in a pitch black room and having someone wake you up by turning all the lights on at once. ]
Rogue... rogue one. [ her callsign. does oswin recognize it? she straightens up, trying to appear more like the admiral she'd come to be than the cowardly girl she'd been. ] I'm with the Rebellion. I'm going to get you out of here.
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[Oswin thinks that this girl wanting to help her is precious and genuinely kind, but the truth is she doesn't necessarily want to go anywhere. Alive is much better than dead, and being here is a thousand times better than where she was before. So she's not too keen on the whole escaping idea, at least not until after they figure out where they are and what the immediate threat may be.
Her primary concern right now is tracking down her location. That, and taking a moment to appreciate her company. She's easy on the eyes and seems to be proactive, a trait Oswin's always appreciated. So she'll make plenty of direct eye contact.]
My ship was a cruise ship. Leisure class. It was supposed to be my ticket to seeing the stars.
[So obviously, her ship totally isn't made up at all.]
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Reverie. Like, a dream...? [ she looks up at the other woman, bewildered as she tugs her own jumpsuit away from her body to read the insignia. sure thing, it's the same as the computer. ] Why aren't we being interrogated? [ this isn't like any brig she's ever seen (or been imprisoned in, you know.) ]
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Why do you assume we're prisoners someplace?
[The fact that the word dream was mentioned at all has her on edge though. It eats at her and keeps her questioning the reality of all this. Maybe it's just another figment of her imagination, a desperate attempt to cling on to humanity and existing. She swallows a lump that forms in her throat and gently edges her way in to get closer to the console.]
If we are, we wouldn't have access to a terminal. Specially not one as basic as this.
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003
Slowly, purposefully, Shara lowers her spoon and levels a strong glare right back at the woman. ]
I'm trying to keep my strength up so I can survive long enough to see my husband and son again. Now if you don't mind, I'd like to eat in peace.
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None of us have peace so long as we're trapped here. We all have people to get back to - we have to work together.
[ it's insistent but gentle. she may only have cassian left, but that's one hell of a person to leave behind. she's sympathetic to shara bey but not enough to allow her inaction. ]
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[ She takes another bite of her meal-like slop in protest, chewing it forcefully until she swallows and continues, ] Look, there are people who say they've been here for a month. We're not getting off this station today. Probably not tomorrow, either. If I could, I'd hop in an A-wing and fly the hell out of here, blowing up anyone who tried to stop me, but that option's not available to me.
[ She sighs, eyes losing that hard edge as the looks at the young woman. ]
We have to work smarter, not harder.
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As long as you want to do something about this then we're of the same mind.
[ she leans across her tray and the table some, as if she's conspiring. she does agree, at least in part, but- ] They're not always disparate terms, you know.